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- Native instruments komplete 7 in box mac#
An LED on the top panel shows which outputs are currently selected for direct monitoring, when active. The direct monitor signal can be fed to either pair of outputs, but this can only be switched in the setup utility. The Monitor knob sets the level of this signal. Another button switches in a direct (no latency) monitoring mode, which routes the input signals straight to the outputs. This functionality worked nicely with the mixer cueing system in Traktor LE, with no configuration necessary. A toggle button lets you switch the phones between monitoring outputs 1/2 and 3/4, a major advantage for live and DJ work. Two front-panel knobs control the output level of channels 1/2 and 3/4, and there is a separate phones level knob.
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There are four main outputs on the rear panel, with quarter-inch balanced jack connections, plus a quarter-inch headphone output on the front panel. One of the reasons for this was that it's the only USB interface I've used that completely cleans up the interference that some G5 towers (including mine) have a habit of imparting to audio signals. I regularly monitor from the outputs of a Digidesign M Box 1, an M-Audio Quattro and Kore's audio outs, and the AK1's output sounded easily the best, with an obvious increase in clarity and depth. The audio quality, both for recording and monitoring, is excellent. Like most users probably will, I ran at the standard 44.1kHz, apart from a few tests, and was surprised by the results. Thanks to the bandwidth of USB 2.0, the Audio Kontrol 1 can work at sample rates of up to 192kHz, although this will, of course, quadruple your CPU overhead. Used on its own, the Audio Kontrol's output is clean as a whistle.
Native instruments komplete 7 in box update#
A driver update provided by NI almost entirely cleared this up, with just very occasional small clicks.
At first, however, a constant crackling appeared in the audio outputs of both devices. The unit also happily co-existed with a Kore controller, and I was even able to use the I/O of both devices simultaneously by creating an Aggregate Device in the Apple Audio MIDI Setup utility. Live, Reason, and Kore all recognised the AK1 as an audio device straight away, with access to the usual settings, such as sample rate (up to 192kHz), latency and channel selections.
A preference in the application allows you to disable this auto-launching behaviour.
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Although this feels a bit intrusive, it's done because the software needs to be running to use some of the advanced controller functionality. The Audio Kontrol 1 software is configured by the installer to launch whenever you boot your computer. On-line authorisation (which is required to use the setup software as well as the bundle) went smoothly for me, via NI's standard Service Center utility.
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The four examples also give you an idea who the AK1 was designed for: Keyboard/Studio, Guitar/Bass, DJ'ing (Internal Mixer), and DJ'ing (External Mixer).Ī CD installs the drivers, controller setup utility and enough bundled software to get a first-timer up and running in any of the suggested scenarios (but Intel Mac owners should check out the 'Bundled Software' box).
A fold-out poster in the box provides diagrams of various configurations to help you get set up. The Audio Kontrol 1 is a two-in, four-out audio and MIDI USB 2.0 interface, with the added bonus of several programmable MIDI controllers, and with the same attractive solid metal and glossy black plastic physical design as NI's Kore.
Native Instruments' new hardware offering has a few unusual features that may just find it a niche in the crowded audio interface market.
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